‘Come, let the blazing truth blind': readings by Irish writers on the subject of Mother and Baby Homes’

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‘Come, let the blazing truth blind': readings by Irish writers on the subject of Mother and Baby Homes’:

Register (free tickets): ‘Come, let the blazing truth blind'

How can we bear witness in literature to suffering, trauma and historical memory? What are the challenges? What are the responsibilities? Bringing together a range of contemporary Irish poets, this online event will feature readings on the subject of Irish Mother and Baby Homes, as well as the wider system of institutions run by church and state.

Introduced by Caelainn Hogan, author of Republic of Shame, with readings and/ performances by Kimberly Campanello, Annemarie Ní Churreáin, Connie Roberts, Vicky Langan and Jess Kavanagh, the event is co-funded by Poetry Ireland, Maynooth University and The Arts Council.

Kimberly Campanello’s most recent project is MOTHERBABYHOME, a 796-page poetry-object and reader's edition book comprising conceptual and visual poetry on the St Mary’s Mother and Baby Home in Tuam published by zimZalla Avant Objects. She has performed its entirety at The Oonagh Young Gallery and for University College Dublin's Irish Poetry Reading Archive. She was recently awarded an Arts Council Ireland Literature Project Award for a digital writing collaboration with Christodoulos Makris and Fallow Media, as well as a Markievicz Award and residencies at the Heinrich Böll Cottage on Achill Island and the Centre Culturel Irlandais in Paris. She leads the BA English Literature with Creative Writing and supervises PhDs in innovative poetry at the University of Leeds.

Connie Roberts, a County Offaly native, is the author of Little Witness (Arlen House, 2015), a collection of poetry inspired by her experiences growing up in an industrial school in the Irish midlands. The collection was shortlisted for the Shine/Strong Award. She is a recipient of the Patrick Kavanagh Award and the Listowel Writers’ Week Poetry Collection Award. She was selected as the Exceptional Offaly Person of the Year 2016. She teaches creative writing at Hofstra University, New York.

Annemarie Ní Churreáin is a poet from the Donegal Gaeltacht. Her publications include Bloodroot (Doire Press, 2017) and Town (The Salvage Press, 2018). Her work has been shortlisted for the Shine Strong Award for best first collection in Ireland and for the 2018 Julie Suk Award in the U.S.A. She has been awarded literary fellowships by Akademie Schloss Solitude in Germany, The Jack Kerouac House of Orlando and Hawthornden Castle in Scotland. Ní Churreáin is a recipient of the Next Generation Artist Award from the Arts Council and a co-recipient, alongside collaborators Kimberly Campanello & Dimitra Xidous, of the inaugural Markievicz Award. Ní Churreáin was a 2019-2020 Writer in Residence at National University of Ireland, Maynooth and a 2020 Artist-in-Residence at Centre Culturel Irlandais Paris. She is an active panelist on the Writers In Prisons Scheme. In 2021 her second full-length poetry collection is forthcoming with The Gallery Press.

Vicky Langan is a Cork-based artist whose practice operates across several often-overlapping fields – chiefly performance, sound, and film. She both embraces and projects vulnerability, offering an intimate territory loaded with raw sensuality, personal symbolism and unguarded emotion. Her work is resolutely personal and rooted in the internal processing of intense private feeling. At a moment in Irish society where long repressed voices are taking centre stage, Langan’s insistence on articulating a private space of disturbance and trauma is a stark reminder that, beyond the public discourses, a legacy of submerged wounds remains. She is affiliated with the Dublin based Experimental Film Society, and is a recipient of an Arts Council of Ireland Next Generation Award.

Jess Kav has been a key figure in creative communities in Ireland and abroad and a prominent fixture in the Irish music scene. Raised by an Irish-Nigerian mother and Soul enthusiast, she was fed a musical diet of Motown, Jazz and Irish Indie. After studying at London’s Institute Of Contemporary Music Performance and Dún Laoghaire Institute of Art, Design and Technology, Jess has focused on songwriting, touring, recording, writing and social change. Jess has toured worldwide as a vocalist with The Waterboys, while also writing and releasing music with original band BARQ until 2020. She has worked with top Irish and international artists including Hozier, Villagers, Kodaline, The Commitments, Jape and Le Galaxie. Jess has written features for The Irish Times Magazine and is a contributor to RTE's Arena. In Jan 2021, Jess was a guest on acclaimed series ‘The Tommy Tiernan Show’, talking candidly about sex positivity and polyamory. In the same month she was profiled in The New York Times, discussing her creativity and the importance of racial activism in Ireland. This year, Jess is writing and releasing new music with new collaborative project, Sister Fenix, recording with the RTE Concert Orchestra, and working with The Abbey Theatre.

Caelainn Hogan is a writer and journalist from Dublin. Her first book Republic of Shame published by Penguin explores and documents the ongoing legacy of Ireland's religious-run institutions and the shame-industrial complex that created them. She has reported internationally on conflict, migration and inequality for The New York Times Magazine, National Geographic, Harper's, The New Yorker, The Guardian, VICE Magazine, Al Jazeera, The Washington Post, The Dublin Review and more.

Improvised Music Company: Piece by Piece - Friday 22nd January

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PIECE BY PIECE #15: VICKY LANGAN

“Vicky Langan is an artist who melts borders ... the territories of visual/art/performance/music/film/sound all overlap and co-emerge in her articulate presence. She is difficult to define yet easy to follow, and it is this quality of empathic otherness that makes you concentrate on every sound, every move she makes.”

– Alice Maher

Piece by Piece: Vicky Langan
Friday 22nd January, 20:00 GMT
Streaming on IMC's 
Youtube channel

Following the international success of the series Piece By Piece in April-May 2020, Improvised Music Company (IMC) returns with a second season of this unique musical ‘chain letter’ of online improvisation, with eight exciting new artists from Ireland creating new work in sequence.

The first series of Piece by Piece demonstrated the rich possibilities of the online medium, as some of Ireland’s finest improvising artists created new musical works. Creative use of film and manipulated visuals showed the artists’ inspirations and thought processes, and became as much part of the experience as the music. With a fresh impetus for this second season of Piece by Piece, the principle of interconnectedness will continue, with each artist’s performance influencing or inspiring the next.

The seventh work of the new season comes from sound and performance artist Vicky Langan on Friday 22nd January.

Vicky Langan is a Cork-based artist whose practice operates across several often overlapping fields, chiefly sound, performance, and film. Langan both embraces and projects vulnerability, offering an intimate territory loaded with personal symbolism and unguarded emotion. With a focus on the sounds of the body and its functions, involving contact-­miked skin, amplified breath and live electronic manipulation, Langan’s work sits between sound and performance art. Using simple raw materials such as domestic objects, hair and magnetic tape, she layers physical gestures and scraps of sound to create intensely personal imaginary landscapes. Mundane domesticity is explored as a temporal space where the material body and sensual inner worlds mesh. In opening herself emotionally, she creates warm yet discomforting rituals that at once embrace the viewer and remain resolutely private, exploring the limits of what can be shared between people and what must remain mysterious. Her decade-long filmmaking partnership with filmmaker and critic Maximilian Le Cain has resulted in sixteen moving image works to date, with screenings and retrospectives of their work having been shown throughout the world. She is a recipient of the Arts Council of Ireland’s Next Generation Artist Award 2019/20, as well as bursary awards from the Arts Council of Ireland, Cork City Council and Music Network.

The eight sequential solo performances for ‘Piece by Piece’ Season 2, will be broadcast via IMC's YouTube channel, as well as IMC's social media platforms on Fridays at 8pm.

Enjoy fresh new music, influenced in real-time, from world-class Irish improvising musicians, telling the story of these times through new music and live performance, piece by piece.

Connect with IMC on FacebookInstagramTwitter and YouTube

Connect with Vicky Langan on her websiteSoundcloud, and Instagram

See the whole series here.

Oilean AiR - Cape Clear artist-in-residence (Sept - Nov 2020)

 

Cónaitheacht Ealaíontóirí / Artist Residency

Oileán Chléire / Cape Clear Island

www.oileanair.com

le tacaíocht ó / proudly supported by Engaging Communities Grant - Cork County Council Arts Office, Comharchumann Chleire Teo, Ealaín na Gaeltachta and CREATE.

Is ealaíontóir í Vicky Langan atá lonnaithe i gCorcaigh a bhfuil a soláthar ag trasnú réimsí éagsúla a bhíonn ag forluí go minic, le fuaim, taibhiú, agus scannánaíocht ina measc. Scrúdaítear dlúththaifeadtaí den domhan nádúrtha, fuaimeanna pearsanta ón saol laethúil, agus dianghníomhartha fisiciúla mar spás ama ina ndéanann an corp ábhartha agus an domhan istigh céadfach mogalra. Mar thoradh ar a comhpháirtíocht scannánaíochta deich mbliana leis an scannánóir agus an criticeoir Maximilian Le Cain, taispeánadh scagthástáil agus cúlghabhálacha dá gcuid oibre ar fud an domhain. I measc na ngradam a bronnadh ar Vicky tá Gradam Ealaíontóra na Chéad Ghlúine Eile sa Cheol 2019/20 (Comhairle Ealaíon na hÉireann), chomh maith le sparánachtaí ó Chomhairle Ealaíon na hÉireann, Comhairle Cathrach Chorcaí agus Líonra Ceoil.

Caithfidh Vicky dhá mhí inleabaithe ar Oileán Chléire, ag taifeadadh agus ag doiciméadú na n-éiceachóras ilchultúrtha ar an taobh thoir-thuaidh den oileán. Ag obair go dlúth leis an éiceolaí fónta agus le ball de phobal an oileáin Michael Prime, fiosróidh Vicky an áit a dtrasnaíonn an fiantacht ar an oileán leis na flóra coimhthíocha atá ag fás ar ghairdín luibheolaíoch príobháideach Michael atá 14 acra i méid. Trí mhachnamh a dhéanamh ar dhíchoilíniú luibheolaíoch, ar chomhoibriú idir-speicis agus ar éifeachtaí an athraithe aeráide ar Oileán Chléire, oibreoidh Vicky i dtreo cur i láthair / ceardlann a fhorbairt bunaithe ar obair shaol Michael, a chuirfear i láthair go príomha ias Gaeilge, le gur féidir le muintir an oileáin Gaeltachta tuiscint níos doimhne a fháil ar a gcomharsa príobháideach ach neamhghnách.

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Vicky Langan is a Cork-based artist whose practice operates across several often overlapping fields, chiefly sound, performance, and film. Close recordings of the natural world, intimate sounds from daily life, and intense physical actions are explored as a temporal space where the material body and sensual inner worlds mesh. Her decade-long filmmaking partnership with filmmaker and critic Maximilian Le Cain has resulted in screenings and retrospectives of their work having been shown throughout the world. She is a recipient of the Arts Council of Ireland’s Next Generation Artist Award for Music 2019/20, as well as bursary awards from the Arts Council of Ireland, Cork City Council and Music Network. 

Vicky will spend two months embedded on Cape Clear, recording and documenting the multicultural ecosystems on the north-eastern side of the island. Working closely with sound ecologist and island resident Michael Prime, Vicky will explore the intersection of the exotic flora growing on Michael’s 14 acre private botanical garden and nature reserve and the wildness of Cape Clear. Through reflection on botanical decolonisation, interspecies collaboration and the effects of climate change on Cape Clear, Vicky will work towards developing a presentation/workshop based on Michael’s life’s work, delivered in the Irish language, so that residents of this Gaeltacht island can have a better understanding of their private but extraordinary neighbour.

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Guerrilla Live

The team behind Guerrilla Recording Studios, a studio under a bridged railway close to Dublin City Centre have launched a new alternative music series called Live From Guerrilla Studios.

The team previously put together The Parlour Sessions which broadcast live from Whelan’s and with restrictions still in place due to COVID-19, they have turned their hand to this once again.

Involved are music nut and media presenter Ray Wingnut, Lankum producer and musician with Percolator John ‘Spud’ Murphy, writer Zara Hedderman on production, sound engineers Stephen Dunne and Ian Chestnut and film crew Thom McDermott, Sean Zissou and David Knox. With design by Gavin O’Brien.

The focus is on alternative music which largely has been neglected by other live streams series to date.

Live From Guerrilla Studios launched on Thursday, July 9th from 10pm. Episode one featured The Bonk, John Francis Flynn and Vicky Langan. 

INSIDE on Triskel Cork's VOD

The Langan / Le Cain film Inside is available to stream on Triskel Arts Centre's VOD platform until July 22nd. 
https://triskelartscentre.ie/events/inside/

Triskel’s latest video-on-demand offer is Inside (2017), the feature debut by Cork-based filmmaking duo Vicky Langan and Maximilian Le Cain. This film is selected as Triskel’s salute to Experimental Film Society (EFS), the noted Irish avant-garde production company, on the twentieth anniversary of its founding. Langan and Le Cain have been closely associated with EFS for all of their decade-long collaboration and Inside is one of the most widely acclaimed films to have been produced under its banner.

Inside is a visually entrancing experimental feature film that excavates the sensations, desires and elusive chimeras of one woman’s inner life. Taking place in the isolated setting of a remote country cottage, it summons a haunting portrait of a woman adrift in a personal reality formed of her domestic rituals and frustrations. For Aidan Dunne writing in The Irish Times, it “occupies an indeterminate space that includes aspects of film, from fiction to essay film, and performance art… largely static but hypnotically watchable.” Critic Nikola Gocić describes it as a “dissonant, wordless and deeply melancholic lullaby in equal measures evocative and alienating, its echoes entangled in dewy spider webs, glued to window glasses and absorbed by lush vegetation surrounding the home of an unnamed, isolated and perturbed heroine (portrayed with quirky, magnetic intensity by Langan herself)… Think Tarkovsky or Sokurov by way of Garrel or Duras with hints of self-denying performance art and you might get a slight idea of what to expect from it.”

Over the course of their decade-long filmmaking collaboration, Langan and Le Cain have created an intimate, distinctive universe built on a striking match between Langanʼs magnetic, often troubling and intense presence as a performer and Le Cainʼs hypnotically disruptive visual rhythms. They have made sixteen moving image works together so far. Langan’s work operates across several overlapping fields, chiefly performance, sound, and film. She both embraces and projects vulnerability, offering an intimate territory loaded with personal symbolism and unguarded emotion. In opening herself emotionally, she creates warm yet discomforting rituals that at once embrace the viewer and remain resolutely private, exploring the limits of what can be shared between people and what must remain mysterious. Le Cainʼs filmmaking proposes a personal relationship with cinema as a site of haunting. Accepted visual and storytelling codes are encouraged to collapse into a more personalised system that approaches moving imagery as an experiential construct open to possession by multiple claims of memory and interpretation. Inside is the product of this ever-developing creative partnership.

Experimental filmmaker Dean Kavanagh brings a unique visual sensitivity to his role as cinematographer on Inside. The film’s soundscape is based on the tension between the intimacy of Langan’s bodily-inflected field recordings and Cork-based musician Declan Synnott’s atmospheric and otherworldly modular synthesiser compositions.

Experimental Film Society (EFS) is an Irish company dedicated to the production and screening of formally radical experimental cinema. It has been called “the most active, prolific and intrepid group of experimental filmmakers working in Ireland today” (aemi) and produces films that are distinguished by an uncompromising devotion to personal, experimental cinema. These films adopt an exploratory, often lyrical approach to filmmaking and foreground mood, atmosphere, visual rhythms, and the sensory interplay of sound and image. EFS was founded in 2000 in Tehran by filmmaker Rouzbeh Rashidi who remains at its head. It has been based in Dublin since 2004 where it has been at the centre of a new energy in Irish alternative cinema. EFS has produced, co-produced, or otherwise assisted in the production of over fifty no-budget or very low-budget feature-length films and 500 shorts. If you enjoy Inside, we strongly recommend that you explore this extraordinary cinematic legacy by visiting the EFS video on demand page where more than fifty features can be rented, and the EFS Vimeo page where dozens of shorts can be viewed for free.

Inside is available to rent for €4 and the proceeds will be split between the filmmakers and ourselves. To view, simply click on the ‘Rent’ button. The rental period is for 72 hours.

NB: For best enjoyment, please watch Inside either with good speakers or headphones. The soundtrack contains unusual bass frequencies that might not come over on inbuilt laptop speakers.

This Rental Package is Available Worldwide

TUSK Virtual 2020 - 10th edition from Sept 28th

TUSK Virtual 2020 - a 2-week online version of the festival’s 10th edition - coming from Sept 28th!

Very excited to be a special guest host for this year’s Tusk festival (virtual edition!!) alongside David Liebe Hart, Rock'n'Roll Jackie Stewart, the cardboard prince Robert Ridley Shackleton.

https://sagegateshead.com/seasons/tusk-festival-2020/

The 343 Vol 1 compilation

Contribution to a digital fundraiser for the 343 Gallery, Belfast.

>> https://the343.bandcamp.com/album/the-343-vol-i <<

All the proceeds from further sales as of 4/6/20 will be split between MASI (Movement of Asylum Seekers Ireland) and BTFA (Black Trans Femmes In The Arts)

released April 30, 2020 

Artwork created by Jennifer Mehigan

Recorded face-down in a lake in Co. Monaghan in 2019

Recorded face-down in a lake in Co. Monaghan in 2019

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Alternating Current, Dublin | 13-15 March

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Alternating Current is a city based weekend music festival curated to show Ireland’s other music tradition. Weird, eerie, noisy, loud, lamenting…

The sound of raw talent pushed underground throughout a decade of austerity. Sustained on little. Denied space to breathe. Moved from offline to the online sphere and back again to a temporary refuge on Eden Quay.

Taking over The Sound House on Eden Quay from Friday 13th to Sunday 15th of March, Alternating Current will showcase the best musicians, DJs, bands, and artists working in Ireland and its emigre axis right now.

Expect three floors of music, everything from experimental pop to soothing ambient, dungeon synth to ravenous dance, skewered jazz to glitchy electronica. Broadcasting live on listen.dublindigitalradio.com, Alternating Current will be a glimpse into the fringes of the contemporary Irish music scene.

Alternating Current is the weird and wonderful brainchild of Dublin Digital Radio, Enthusiastic Eunuch and Tiny Cosmos.

This is not the mainstream. This is the Alternating Current.

Winter Papers at Engage Studios, Galway - w/ Atoosa Pour Hosseini

On January 11th 6pm Vicky Langan and Atoosa Pour Hosseini are welcomed to Engage Art Studios.

These artists are developing a one-off live performance of film and sound for the exhibition. Their collaboration is an encounter between two defiantly personal practices. Both artists intuitively explore the often mysterious relationships between materiality and the psyche. For Langan, this involves the amplified body coming into contact with simple raw materials and rough sound. Pour Hosseini sets the material supports of imagery, such as 8mm and 16mm film, adrift on an ineffable current of memory. Both artists are affiliated with the Dublin-based Experimental Film Society, an Irish company dedicated to the production and screening of experimental cinema. This is their debut collaborative performance and not to be missed.

Engage Art Studios | Churchfields | Lower Salthill | Galway | H91 YCW9
Open Thurs to Sat 11 to 4pm or by appointment engageartstudios.com

Winter Papers at Engage Studios, Galway (performance)

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In association with Galway City Arts Office, Engage Art Studios brings an exciting programme for these cold months ahead - WINTER PAPERS - This season the new gallery in Salthill showcases visual artists featured in Ireland’s leading arts anthology, Winter Papers. The programme presents an exhibition, workshops, in-conversation events and live film and sound performances. The opening event at Engage Art Studios in Churchfields, Lower Salthill is on November 29th 6-8pm with experimental artwork by artists Suzanne Walsh and Jonathan Brennan.

The guest speaker is the multi-award winning and Booker Prize nominated author, Kevin Barry. Refreshments by Cava Bodega. All are welcome.

Suzanne Walsh uses performative lectures, audio/musical performances and text to query ideas around human/non-human relationships and consensus reality, often drawing on the scientific world as well as more esoteric sources. Walsh’s starting point for this exhibition is her personal experience with bird rescue.

Jonathan Brennan is preoccupied with the relationship between digital and traditional techniques, and the values we impose on them. He is drawn to nature and landscape as subject matter and is fascinated by how urban and rural rub against each other in our cities. Memory and place always play a significant role in his work and we see this clearly in his cyanotype and screenprints that he has created for this exhibition from found 1950s film bought on the internet and overlaid with fossil drawings.

On December 14th at 2pm, Engage Art Studios hosts an in-conversation event between Suzanne Walsh and Ian Maleney, author of Minor Monuments, shortlisted for this year’s An Post Irish Book Awards.

On January 11th at 6pm Vicky Langan and Atoosa Pour Hosseini are welcomed to Engage Art Studios. These artists are developing a one-off live performance of film and sound for the exhibition. Their collaboration is an encounter between two defiantly personal practices. Both artists intuitively explore the often mysterious relationships between materiality and the psyche. For Langan, this involves the amplified body coming into contact with simple raw materials and rough sound. Pour Hosseini sets the material supports of imagery, such as 8mm and 16mm film, adrift on an ineffable current of memory. Both artists are affiliated with the Dublin-based Experimental Film Society, an Irish company dedicated to the production and screening of experimental cinema. This is their debut collaborative performance and not to be missed.

On February 15th, Jonathan Brennan will join our Engage Arts Studios Educational Programme and deliver a linocut workshop. More details and booking information for workshops will be available at www.engageartstudios/classes.com

Winter Papers, Ireland’s annual anthology for the arts, is published by Curlew Editions and edited by Kevin Barry and Olivia Smith. It offers fiction, non-fiction, poetry, photography, visual arts, along with craft interviews and in-conversation pieces on writing, film, theatre, photography and music. It will be available for sale at the events at Engage Art Studios and in all good bookshops.

Exhibition Opens Friday November 29 until Saturday February 15.
Admission is free for all events and all are welcome.

Engage Art Studios | Churchfields | Lower Salthill | Galway | H91 YCW9
Open Thurs to Sat 11 to 4pm or by appointment engageartstudios.com

Personal Growth, Sirius Art Centre/Cork Film Festival

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Vicky Langan / Maximilian Le Cain

Opens Saturday 09 November, 1.30pm (Artist’s Talk, Screening & Q&A) Followed by drinks reception at 3.30pm

In partnership with Sirius Arts Centre, Cobh

Continues until Friday 20 December 2019.

Personal Growth is a new Super-8 film work by Vicky Langan and Maximilian Le Cain. Over the course of their decade-long filmmaking collaboration, Langan and Le Cain have created an intimate, distinctive universe built on a striking match between Langanʼs magnetic, often troubling and intense presence as a performer and Le Cainʼs hypnotically disruptive visual rhythms.   

Personal Growth is a new Super-8 film work, an enigmatic, fragmented piece that could have been filmed at any point in the past sixty years. It conveys the haunting charge of a privately made home movie of great significance to its creators but unsettlingly mysterious to viewers. Its grainy, black and white texture vividly renders the elemental coastal seascapes where it was filmed. Langan & Le Cain appear as a couple who inhabit this wild terrain as if it were a domestic arena.   

Langan’s work operates across several overlapping fields, chiefly performance, sound, and film. She both embraces and projects vulnerability, offering an intimate territory loaded with personal symbolism and unguarded emotion. In opening herself emotionally, she creates warm yet discomforting rituals that at once embrace the viewer and remain resolutely private, exploring the limits of what can be shared between people and what must remain mysterious. Le Cainʼs filmmaking proposes a personal relationship with cinema as a site of haunting. Accepted visual and storytelling codes are encouraged to collapse into a more personalised system that approaches moving imagery as an experiential construct open to possession by multiple claims of memory and interpretation. 

Langan / Le Cain are based in Cork. They are affiliated with Experimental Film Society, a company dedicated to the creation of uncompromisingly personal, formally challenging filmmaking. Based in Dublin, it has succeeded in forging a new and radically alternative Irish cinema. Through its distribution, their films have been widely screened at international venues and festival

Langan & Le Cain have made sixteen moving image works together. Their Arts Council funded feature film Inside(2017) was exhibited at TULCA Festival of Visual Arts; VISUAL as part of Carlow Arts Festival; and screened at The Luminous Void Experimental Film Festival, Dublin. Retrospectives of their film work have taken place at The Lausanne Underground Film & Music Festival; the Centre Culturel Irlandais, Paris; and at Microscope Gallery, New York. They also collaborate on live performances involving projection. Double-Blind, the most recent of these, premiered at the 2018 Cork Midsummer Festival. In 2016, Langan and Le Cain both attended the MA course in Art & Process at Crawford College of Art & Design, Cork, and subsequently participated in the exhibition slips, speaks at 12 Star Gallery, London that drew on the work of selected CCAD MA graduates.    

This event will begin with an artists’ talk, followed by the first screening and Q&A, starting at 1.30pm, as part of Cork Film Festival. All welcome. Admission free.

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EFS at Hošek Contemporary, Berlin

Brine Twice Daily (Langan/Le Cain, 2015)

Brine Twice Daily (Langan/Le Cain, 2015)

A programme of Experimental Film Society films will be screening at Hošek Contemporaryin Berlin, Germany on Thursday 5th September 2019 at 6PM.

Address: Hosek Contemporary MS Heimatland / Fisherinsel, 10179 Berlin, Germany

Facebook Event HERE

Filmmaker Matias Donoso kindly organised the screening and will be presenting the films.

Experimental Film Society (an Irish company dedicated to the production and screening of experimental cinema) is a group of filmmakers dedicated to the creation of uncompromisingly personal, formally challenging filmmaking. Based in Dublin, it has succeeded in forging a new and radically alternative Irish cinema. Its defiantly independent vision, both deeply informed by film history and utterly modern, has animated over five hundred shorts and features since 2000. Its films adopt an exploratory approach to filmmaking and foreground mood, atmosphere, visual rhythms, and the often-startling sensory interplay of sound and image. As EFS filmmakers experiment with cinema, they allow it equally to experiment on them, creating richly experiential works that chart an uncomfortable territory that is at once uncannily familiar and utterly alien.

The Programme:

1_Bogna Kirchoff By Chris O’Neill (2019) / 6mins / Ireland

Bogna Kirchoff takes imagery from a 1970s espionage thriller and warps the imagery into a surreal abstract film focussing on one supporting female character.

2_ Homo Sapiens Project (161-170) (2013) By Rouzbeh Rashidi / 8mins / Ireland

Rashidi’s Homo Sapiens Project (HSP) is an ongoing series of personal film experiments that range from cryptic film diaries and oneiric sketches to fully polished features. Installments 161-170 link a formally aggressive repurposing of Hollywood reels with an idiosyncratic appreciation of the wonder of science fiction.

3_Olive (2019) By Michael Higgins / 11mins / Greece – Ireland

Although clearly filmed in our time, Olive uses the scratchy beauty of hand-processed celluloid to help evoke a mood of ancient ritual. A group of people gathered in the remote countryside are absorbed into frames that often resemble the hand tinted colours and decaying textures of unrestored early cinema. Cinema is made to haunt the present like a ghostly vision from the past.

4_Brine Twice Daily (2015) By Vicky Langan / Maximilian Le Cain / 20mins / Ireland

Brine Twice Daily is a film that came from the sea, from the depths, and it never truly escapes its salt-encrusted origins. A bizarre romance that is at once an absurd comedy, a horror/adventure B-movie, a cryptic home video and a fading seaside postcard stuffed into a bottle and cast adrift on the ocean, Brine Twice Daily marks a new departure in the Langan/Le Cain filmmaking partnership.

5_The Underworld (2019) By Jann Clavadetscher / 17mins / Ireland

This hallucinatory trip through the psychedelic recesses of science fiction begins in the flickering bowels of the earth. An explorer played by Cillian Roche undergoes a bizarre mutation in which cinema itself might possibly play a part. Clavadetcsher’s gorgeous 16mm colours and dazzlingly intense editing are underscored by a characteristic lightness of touch.

6_Antler (2018) By Atoosa Pour Hosseini / 15mins / Ireland

Pour Hosseini’s work with Super-8 conjures a mysterious territory that exists between memory, subjective perception and the objective materiality of the filmed image. Antler pushes deeper into this realm, seamlessly combining archival footage of animals and reptiles in their habitats with newly filmed material of the artist and an assistant at work in a botanical garden.

Total running time: 77mins

Response to Land(ed) at Lavit Gallery, Cork

UPDATE:

I regret to announce that due to illness, my performance at the Lavit Gallery this evening has been cancelled. A recording will be made available via GLAS Contemporary in the near future. Apologies to anyone who had planned on attending!

-Vicky Langan

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GLAS Contemporary recently invited me to develop a sound-response to Land(ed), the exhibition that’s on show at the Lavit Gallery this month. The exhibition coincides with Cork Craft Month in the city and county and is guest curated by Stephen O’Connell. O’Connell is the founder of GLAS, a new platform for contemporary Irish craft and design. I’ve loved getting to know the work and processes of the artists involved and look forward to sharing my response to the exhibition on Thursday 29th August from 6pm at Lavit Gallery, Cork. ⁣

Land(ed) features the work of Joe Hogan, Mourne Textiles, Stuart Cairns, Elain eRiordan, Simon Kidd, Alan Meredith, and Mandy Parslow.

Facebook event page: https://www.facebook.com/events/the-lavit-gallery/landed-vicky-langan-a-soundperformative-response/372361906776739/

http://lavitgallery.com

Féile na Gréine

DJing at Limerick’s Féile na Gréine on Sunday 18th August 2019. You can catch me at the closing session of the festival at The Commerical alongside Dennis As a Landlord, Jinx Lennon, Messying, Dan Walsh & Jack Brolly, and Tension.

>> Facebook event page <<

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